Before I begin with my own introduction, I would like to say that I don’t get the title of this blog. Also, thank Kyle for inviting me to work on this project. Kyle probably has the most diverse and well informed music taste out of anyone that I know. His ability to ferociously devour, comprehend, and adeptly criticize new artists with a wit and contextual understanding to rival P4k’s most pretentious and self-righteous blogger is a quality I have come to both loathe and admire; for trying to keep up with him in this manner has often proved very frustrating for me. I look forward to reading his musings on future releases and I hope he looks forward to mine.
Now I’m going to tell you about myself:
I started DJ-ing about 5 year ago - in a strange coincidence, almost to the day. After years of playing drums in various bands I was sick of sitting in the back having all the attention focused on someone other than myself. I couldn’t play guitar, so the narcissist in me decided that buying turntables was the next best thing.
My philosophy behind my craft is pretty simple: Don’t get too caught up in trends (and in the world of EDM there are certainly a lot), always push yourself to get better, and for fuck’s sake keep people dancing.
I try to let a diverse taste in music inform my DJ-ing and I will try to let that same taste inform my posts here on Flatted 3rd. Although Kyle brought me on as the resident EDM expert, you can look forward to posts from all across the genre spectrum but always something danceable with a electronic flavor.
Now on to the music...
The Grooviest Track You’ll Hear all Week: Bondax - Baby I Got That
If you haven’t heard of Bondax before, don’t worry, you haven’t missed much. These two teenage producers from Lancaster, UK have only just started out, but they have burst on the scene in a big way.
They’ve been getting a lot of love from BBC Radio 1’s Annie Mac who has featured pretty much every existing Bondax track at some point on her show.
This selection “Baby I Got That” starts off with a airy build that might easily get it mistaken for a Jamie XX record. However, it quickly busts into a groove reminiscent of early 90’s electro pop. Then there’s also a fair bit of fun filter work which gives it a distinctive disco-y feel.
Overall, this track is right up my alley - hopefully we live in the same alley - and I look forward to its official release on August 26th.
(For those interested the Justin Martin remix is equally awesome)
The Best Remix of a Cover of Someone You’ve Heard on the Radio: DjSliink - High for This
With Ellie Goulding sitting rather uncomfortably at #2 on the Billboard Hot 100 - still behind Flo Rida’s summer anthem, WHICH IS TOTALLY NOT ABOUT WHISTLING - and after releasing her debut album more than 2 years ago, there are bound to be a number of lackluster remixes and edits of a fair number of her tracks. The most glaring exception is Bassnectar’s “Lights” Remix , but this track also seems to stand out.
I really hate the obsessive subcategorization of every EDM track. The worst offenders being anything that warrants the “-step” suffix. But Sliink and Kiff really kill it on the “Future Trapstep” tip. Their remix of Ellie Goulding’s cover of The Weekend’s “High for This” is chill, one might even say “trill” at times, but it certainly does the original justice; this track has a feel all its own, qualities I value highly in remixes.
I’ll (hopefully) be catching Sliink on September 7th. I pray he beings a similar vibe there that he did in his Boiler Room NY Set.
The Summer Radio Jam Remix You’ll Play Well Into the Fall: Settle Down - Baauer Remix
Although I try not to get caught up in trends, there is really no avoiding the explosion of Trap music on the EDM scene. Nu-Trap is a hybrid of the trunk rattling southern rap beats you might expect from the likes of Meek Mill, Bun B or 2 Chainz and Bro/Drum/Dub Step. Although this track is not a perfect example of this new genre - If you’re looking for that check out TNGHT - Baauer is by far one of the most prominent producers in the scene. Allow this official No Doubt remix to serve as proof.
Unlike his contemporaries, like RL Grime for example, Baauer steps out of his comfort zone on this remix. He doesn’t rely on the huge drops and constantly rattling hi hats, which are so painfully common in Trap music. Don’t get me wrong, you definitely want to turn your sub on for this one. But the cool island feel of this song accented by the background marimbas and bird chirps is a refreshing breath from the endless stream of trap remixes hitting the internet in the past few months.
The Best Moombahton Floorfiller I’ve Heard in a Minute: Beat Down - Steve Aoki and Angger Dimas ft. Iggy Azalea
Let me make two things clear:
1. I fucking hate Steve Aoki.
2. Iggy Azalea makes this track.
Although this track has some weak points - most notably some annoying synth tones - overall, it really bumps. Even if you can’t stand this song or video, I still think it serves as a great introduction to Iggy Azalea. This 2/10 Australian almost became a supermodel, but when her agency said she was “too thick" (a distinction I'm totally cool with), She said, "Fuck It" and became a Bad-Ass FemCee instead.
If you’re digging Iggy check out her new Glory EP . I highly suggest you do.
The Track That I Totally Missed the Boat On: Epic - Sandro Silva & Quintino
This track was released in June of 2011. Apparently it made a big splash in Ibiza last summer...I never got the memo.