Leaky Pipes: A First Look at Centipede Hz

The band that launched a million blog posts, everyone's favorite neo-psychedelic-folk-pop-rock band, that band that Avey Tare and Panda Bear play in, Animal Collective, released their latest album, Centipede Hz, about two weeks before its proper release via radio station - I wrote an opinion article about what the early stream meant last week. It shouldn't be a surprise that people ripped the stream, sorted the MP3s, and leaked webrips of the album. I refrained from downloading until a proper album rip was leaked, and it has been, obviously. So I have previewed the album a few times and this is what I have concluded: they still deserve every decible of buzz, but may be grounding out.

It pains me to say that I'm an Animal Collective fan - as soon as you admit it, you're grouped in with the "hipsters." They certainly are what most people consider the quintessential "hipster" band -- if you're wondering why "hipster" is always quoted, check out this article on Flatted Third. But it's not hard to be a fan of the enigmatic band; they've released solid, original material for about a decade now. With a track record including Sung Tongs, Feels, Strawberry Jam, Merriweather Post Pavilion, and Fall Be Kind, Animal Collective will be a band that continues to draw attention until the music begins to lack, which Centipede Hz may be the flag boy for. Fall Be Kind, the band's last proper release, followed the almost mainstream breakthrough of Merriweather Post Pavilion with slow, minimal, and effective, while Merriweather found a band adding as many instruments as could fit, certainly more electronics than earlier releases. This shift to what sounded like the electronic version of Campfire Songs left fans wondering where the AnCo would go next. Well, Centipede Hz continues to build of the progress of Merriweather, with poppier, maximized songs, but also features some meandering jams. This leaves Fall Be Kind as strictly an exercise and not a progression for later releases.

The return of Deakin, who sat out during both the recording and touring of Merriweather Post Pavilion, Centipede Hz creates some beautiful production, samples, and song bridges. Also, to much surprise, Deakin even sings lead on a track, the stomping "Wide Eyed", which ends with a Person Pitch-esque time shift at the end. Although the bridge from "New Town Burnout" to "Monkey Riches" is as beautiful as it is mechanical, making the track seem as though they are cut from the same clothe, "Wide Eyed" does nothing for the album. The Deakin cut lies in the middle of the record and just sort of stays at the same pace with random stops and starts, never really sounding interesting or beckoning multiple listens. Deakin's return is certainly a give and take, but it's always nice to reinforce the use of "collective" in the band's title.

The record begins with "Moonjock", a 7/4 romp that could have seen a spot on Merriweather. From there, the band jam packs instruments and melodies into the excellent single "Today's Supernatural", but this is where the album takes an interesting turn with "Rosie Oh". The song is collected and smooth, sounding like a dialed back "For Reverend Green". "Applesauce" is a trippy-go-happy Avey song that doesn't fail to deliver pop like you've never hear it before. The first four songs establish the head of Centipede Hz as an excellent effort.

"Wide Eyed", as mentioned before, lacks anything special, but the trio of "Father Time", "New Town Burnout" and "Monkey Riches" pick the album right back up. Even with the seventeen minute, three song recovery, the album dips again with "Mercury Man", a song with a weak beginning but extremely strong, bass-filled finish - it's not a bad song, but it could have been a lot shorter, as a lot of the other songs on Centipede Hz could be, and is a testament of poor album flow.

"Amanita" finishes off the album, named after a genus of mushrooms that offers some of the most deadly species. The song details a hiking trip that dips further and further into bright and colorful depths, until everything is washed away in delay, a fitting end for an album that is as dense as it is frustrating.

It's too bad "Honeycomb" or "Gotham" didn't make the cut because I really enjoyed those singles. The latter featured a sound commonly found on Feels, my personal favorite of the AnCo catalogue; it would have fit perfectly in the meat of Centipede Hz, easily able to replace Deakin's "Wide Eyed" or even the tail end's "Mercury Man". "Honeycomb" would have a much more difficult time fitting into the record, as it comes off as a standalone single.

It seems that when you strip away all the excess production and instruments, Centipede Hz is just solid, almost traditional songs in an inconsistent package. That isn't to say that it's a bad release, just something a fan wouldn't list as his or her favorite. This comes as a disappointment, to me at least, because I really enjoyed both Merriweather and Fall Be Kind for two completely different reasons. And I would have loved to have seen how those two sounds meshed. Oh well.

Grade: B

P.S. Check out this great interview by Stereogum with the band about the recording process, and watch the band's video for "Today's Supernatural" below:

What the Early Stream of Centipede Hz Means

It's not the biggest of surprises the enigmatic Animal Collective chose to stream their newest album, Centipede Hz, nearly two weeks before its release date, using an internet "radio station." Frank Ocean did the same exact thing, although Ocean chose to just go ahead and release his proper debut, in its entirety, for digital downloads. Animal Collective's Geologist spoke with Spin on why the band is streaming the record, saying, "It's not like we're totally trying to beat the clock. It's a way of being like 'Can we beat the clock, but not just beat the clock for beating the clock's sake? But do it in a way that feels like it has been lost. Recapture that a little bit.'" He went on to express that it doesn't matter if people see the early release as a marketing ploy because, at a certain point, you can't control what people think. This feels like something a band such as Animal Collective has always known, being as mercurial as they are.

Obviously the early stream will have an effect on how the album is received. Stereogum has been hosting a comment party on the stream and, most importantly, the critics that will soon review the release get an extra two weeks with it, something that the band can only benefit from. Animal Collective have a dense veil around their music, one that can seem strange and alien to most listeners. But the internet has allowed the band to prosper. The more avant-garde music reviewers are found on the internet, those who have praised the band since its earlier releases. Although Entertainment Weekly did name 2009's Merriweather Post Pavilion as its best of the year, now every critic, small and large publication, will have a chance to let the music absorb and digest. The band is using the same exact tool that has allowed them to pull off such a stunt and have it ring in such a large echo chamber.

There are definitive drawbacks to allowing the public in so early, as the internet never fails to prove. Although Geologist tried to avoid any and all publicity stunt accusations, he couldn't foresee how the public would receive fan's reactions to other band's, Grizzly Bear's twitter account attests; seems convoluted, but it's a much less complicated story. Grizzly Bear, a band that competed with Merriweather in 2009 with the critically lauded Veckatimest, tweeted this, saying it didn't have a radio station to stream their new album Shields, set for a release almost two weeks from AnCo's. What seemed like an obvious joke was misinterpreted, a thousand times over, by the internet's most avid music fans as a shot at Animal Collective's early stream. Grizzly Bear then followed up the witch hunt with this and this, thus defusing anything that might happen to be interesting. Hey, music beefs have always been interesting, back when they would result in shootings or tragedies; turmoil will always drive a fiercer competition, sometimes spilling over into actual violence. I obviously don't condone or endorse any deaths, I'm strictly speaking from an entertainment point of view.

It seems like Animal Collective accomplished what they, and everyone on the internet, wanted: more time with an exciting release. Maybe all the major publications, like Entertainment Weekly, just needed to get to know the band's music a little more before they fully committed. I know I will certainly have fun tripping out to Centipede Hz while watching Abby Portner's visuals.

So, the only thing left for you to decide is what you think about the release. You can stream it here. And feel free to comment below what you think.